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EDUCATION
Seminars/Lectures



Some years ago, the charming man in the photograph proved true that the line between talking in front of people for their benefit and yelling at them for unidentified reasons is one which any speaker in a position to shape the minds of his listeners must be careful not to cross.

One needn’t be a seasoned lecturer to know that there is one particular element which secures a successful lecture and which, if omitted, leads to preaching and to paralysing monologues. Irrespective of style, approach of delivery, methodology and scope it is this one purpose which must always be prioritised in the mind of the lecturer; namely the desire to deeply inform the listeners and help them comprehend ideas and questions that have hitherto been unknown to them without suggesting any conclusive truths or dogma.

If this sounds simple, it requires confidence, communicative command, relentless energy and alert concentration on behalf of the lecturer with some minimal attention and awareness from the audience ensuring that the effort is mutual.

Aside from having been lectured upon constantly for 21 of the 28 years I have been alive by both inspiring orators/mentors and neurotic propagandists, I have performed lecture recitals, given pre-concert talks, presented my work in workshops and given open lectures at the Royal Northern College of Music, Cambridge University and York University. In 2006 I will be giving my first conference papers in Belgrade and the Goethe Institut. My subjects have varied, ranging from my own music or microtonal music analysis to piano technique and literature and from Wittgenstein to popular music commercial practice.

Lecturing will no doubt be part of my professional life in the future and I consider this to be a privilege and a social responsibility of the highest order. Even though all music-related subjects are of interest, I am more familiar with certain aspects of music making than with others and so it is advisable to be in contact to discuss possible topics relating to specific audience interests and needs.
   

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